Reflection
Mana Hauora is a live commentary show that delves into the four aspects of holistic health—Taha Hinengaro (mental/emotional wellbeing), Taha Wairua (spiritual well being), Taha Whānau (social wellbeing), and Taha Tinana (physical wellbeing). Our team developed this theme after individually researching relevant topics and finding a shared interest in health and wellbeing. For me, Mana Hauora was particularly meaningful due to my background in science and my growing interest in how media can convey health messages to diverse audiences. Directing this project was both enjoyable and challenging, as it allowed me to explore a personal passion while applying practical skills in a high-stakes environment.Mana Hauora is a live commentary show that delves into the four aspects of holistic health—Taha Hinengaro (mental/emotional wellbeing), Taha Wairua (spiritual wellbeing), Taha Whānau (social wellbeing), and Taha Tinana (physical wellbeing). Our team developed this theme after individually researching relevant topics and finding a shared interest in health and wellbeing. For me, Mana Hauora was particularly meaningful due to my background in science and my growing interest in how media can convey health messages to diverse audiences. Directing this project was both enjoyable and challenging, as it allowed me to explore a personal passion while applying practical skills in a high-stakes environment.
One of the show’s highlights was Savannah Scheen’s breathing exercise demonstration. Her segment addressed mental and spiritual wellbeing in a relatable way, and it resonated with our entire team as we were each facing stress in our own lives. Taking on the role of director was personally significant, as it challenged me to step out of my comfort zone and build confidence in leadership. This position allowed me to focus on critical self-reflection and identify areas for growth, both within this project and as I look forward to future industry roles.
The pre-production phase began with individual pitches. Each team member watched Canvas inserts for inspiration, using them to develop initial concepts. I initially pitched a science-themed show, suggesting an interview with a friend in medicine to explore health topics from a scientific perspective. However, after collaborative discussion, we chose a broader health theme that would engage our audience in relatable, holistic topics. As director, I took on the responsibility of researching and designing the show’s visual theme.
Given our focus on holistic health, I selected colors that symbolized each aspect of wellbeing: blue for its calming, mental-health-promoting qualities; green for growth and spiritual wellbeing; and orange for energy, which encourages social interaction. For a cohesive visual theme, I incorporated these colors into our set and props, including the suggestion of a rugby ball to subtly reference physical wellbeing, however this was not included in the final set. I also proposed a lab coat and watch for the presenter, symbolizing a professional approach to health.
To further inform my direction, I analyzed shows like The Breakfast Show, studying their techniques for staging interviews and transitions. This research helped me to conceptualize shot composition and enhance my understanding of how professional interview segments flow visually. Rehearsals also played a crucial role in preparation. Feedback from my team, such as projecting my voice, refining my calls, and varying shot types, was invaluable. As a naturally soft-spoken individual, voice projection was initially a challenge, but the continuous rehearsal sessions helped me to grow more confident.
Clear communication was a fundamental component of our production process. Early on, we established an Instagram group chat and a Google Doc, which helped us coordinate our tasks and track our progress. Every other week, the team met to discuss updates, clarify our roles, and address any emerging challenges. These meetings allowed each team member to feel supported and informed throughout pre-production, easing the pressure on each of us and ensuring we remained aligned.
In addition to our team communication, I coordinated closely with our demonstrator via email. Regular check-ins ensured that our guests were aware of any schedule or content changes, which was particularly helpful during our rehearsal week. Unfortunately, our demonstrator faced a personal loss and couldn’t attend one of our scheduled rehearsals. Thanks to our group’s communication plan, we were able to adapt quickly and find a demonstrator, Robson, to fill in for her.
As the director, I was responsible for shot composition, camera movement, and executing cuts in the gallery. My primary objective was to create an engaging, visually dynamic experience for the audience, especially given that our show’s structure included both interviews and demonstrations. For the interview segment, I used camera 2 for wide shots, allowing flexibility for repositioning and ensuring a comprehensive view of the interaction. I positioned cameras 1 and 3 to capture mid-shots of the interviewer and interviewee, maintaining visual continuity and effectively framing each participant on the left and right thirds of the screen, respectively.
Upon reviewing the recording, I noticed that parts of the interview appeared static. With additional time, I would have incorporated camera movements like crabbing or tracking to add depth and energy to the segment, making it visually engaging for the viewer. The demonstration segment presented unique challenges, as our demonstrator hadn’t been available for full rehearsals due to her personal circumstances. Without a chance to preview her breathing exercise demonstration, I had to adapt on the spot. In hindsight, I would have emphasized hand movements and added graphics or cutaways to visually reinforce her instructions, ensuring clarity and impact.
The timing of cuts and transitions was managed by Maanika, whose precision kept our production on schedule. Although we encountered a few mistakes with calls, our team’s trust and confidence in each other allowed us to recover quickly. The entire experience taught me the value of adaptability and precise communication within a live production environment, both of which are essential in multi-camera settings.
In addition to my responsibilities as director, I actively supported other group members and filled significant crew roles in other assessments. For instance, I participated in camera operation and media operation for another group’s production, helping to ensure smooth shots and assisting with locating media.
Directing Mana Hauora was an invaluable learning experience that highlighted both my strengths and areas for growth. Through this project, I developed confidence in my ability to lead a team, communicate effectively, and manage the technical elements of a live production. The process of adapting to feedback, particularly regarding voice projection and technical control, was challenging yet rewarding. Moving forward, I plan to continue honing my skills in areas such as shot composition and camera movement to enhance my adaptability and proficiency in future roles.